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WILT Archive

October 2019: Tour Edition, Part 2


September 2019: Tour Edition, Part 1


December 2017: The Last WILT


November 2017: It's The Real Thing! Or Is It?


October 2017: Pushing The Envelope


September 2017: Is Anybody Listening?


August 2017: Gone Fishin'


July 2017: Miscellanea Americana


June 2017: THE BEST I CAN DO


May 2017: NON-MUSICAL HEROES


April 2017: Dancing About Architecture


March 2017: Mainstreams, Alternatives, Tom Jones, and a Bit of a Rant


February 2017: Carnival Time


January 2017: Mavericks and Musings


December 2016: Sublime and Ridiculous


November 2016: Beatle Juice


October 2016: Your Early Stuff


September 2016: Hybrids, Hyphens, and Cuban Cubism


August 2016: It's Jazz, Jim, But Not As We Know It OR Serendipitous Epiphanies OR What's Your S.A.Q.


July 2016: Palabras y Musica


June 2016: Blue Note High Notes


May 2016: Two Jazzers and a Rocker


April 2016: Why We Need Record Stores – And Cheese


March 2016: Jazz-Hop and Créole-Manouche


February 2016: Words Fail Me


January 2016: My Pet Peeve


December 2015: New Music That's Actually New


November 2015: Guilty Pleasures and Tour Bus Treasures


October 2015: Flawed Diamonds


September 2015: Hank Williams, Oscar Peterson, and Harrison Bergeron


August 2015: From Bogotá To Bluegrass


July 2015: Give The Drummer Some


June 2015: Words, Music, And More Words


May 2015: Gypsies, Louts and Jews


April 2015: King Louis


March 2015: 80s vs. 90s


February 2015: A True Tribute


January 2015: Playing Live – And Live Albums


December 2014: Happy Music. Cheer Up, Damn You!


November 2014: Fabulous Obscurities


October 2014: New And Old Music, New And Old Formats


September 2014: Rock, Classical, And Classic Rock


August 2014: Horace Silver R.I.P.


July 2014: My Latin New York


June 2014: Jazz Cool, Rock Adrenaline, and Tropical Kitsch


May 2014: My Favourite Singer – And Why


April 2014: From Jones To Janáček


March 2014: Mardi Gras In New Orleans


February 2014: Luddites, Novelty Junkies, And The Grammys


January 2014: The Most Dismal Time Of The Year (And Music To Help)


December 2013: From Beethoven to Afro-Beat